Pitchfork Review: Subliminal Plastic Motives (Article)
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Pitchfork Review: Subliminal Plastic Motives
Rating: 8.0
Remember being stunned the first time you found out Nine Inch Nails
was Trent Reznor... all by himself? It was a weird concept. One guy
who writes, sings, and plays all the instruments by himself and still
goes by a bandname. Now there are countless "bands" like it popping
up everywhere.
Well, Self is Matt Mahaffey, but he's certainly no rip-off artist.
In fact, the closest I've come to describing the music is: Matthew
Sweet with a sampler, multiplied by hip-hop beats. Uh, I guess you
just have to hear it.
Almost every song on the disc is a winner, though. Namely the
unconventional time signatures of "Lucid Anne," the driving power-pop
of "Borateen," the chugging "Cannon," and the jazz balladry of "Big
Important Nothing." If you dig the power-pop, Subliminal Plastic
Motives is like a can of Jolt.